These works are available online from the Renouvaud catalog
- The Oxford history of world cinema
Author: Geoffrey Nowell-Smith
Oxford University Press, 1996
- Histoire du cinéma: 1895-1964
Author: Joseph-Marie Lo Duca
Presses Universitaires de France, collection “Que sais-je?”, 1964 - Dictionnaire du cinéma
Authors: Jean-Loup Passek (dir.); Michel Ciment, Claude-Michel Cluny, Jean-Pierre Frouard
Larousse, 2001 - Histoire du cinématographe de ses origines à nos jours
Author: Georges-Michel Coissac
Cinéopse, 1925 - Dictionnaire théorique et critique du cinéma
Authors: Michel Marie, Jacques Aumon
Armand Colin, 2001 - Concepts in film theory
Author: Andrew Dudley
Oxford University Press, 1984 - La Lucarne de L’infini: Naissance du Langage Cinématographique Author: Noel Burch
L’Harmattan, 2007 [1991] - L’analyse des films
by Jacques Aumont and Michel Marie
Armand Colin, 2015 - Film culture reader
Author: P. Adams Sitney
Cooper Square Press, 2000 [1970] - Narrative comprehension and film
Author : Edward Branigan
Routledge, 1992 - Film theory: an introduction
Author: Robert Stam
Oxford, Blackwell, 2000 - Major film theories : an introduction
Author : James Dudley Andrew
Oxford University Press, 1976 - Cinema studies : the key concepts
Author: Susan Hayward
Routledge, 1996 - Signatures of the visible
Author: Fredric Jameson
Routledge, 2012 - The art of the moving picture
Author: Vachel Lindsay - The Macmillan Company, 1918
Author: Roger Odin
De Boeck Supérieur, 2000 - The memory of Tiresias: intertextuality and film
Author: Mikhail Iampolski
University of California Press, 1998 - Chapter “Cinema and the New Psychology” [1945]
Author: Maurice Merleau-Pont
Gallimard, 1995 [1948] - Philosophie d’un art moderne: le cinema
Author: Dominique Chateau
L’Harmattan, 2013 - Le récit minimal
Authors: Jean-Michel Adam, Marie-Odile André, Raphaël Baroni, Alain Boillat, et al.Presses
Sorbonne Nouvelle, 2012 - Fiction au cinema
Author: Alain Boillat
L’Harmattan, 2013 - Films that work industrial film and the productivity of media
Authors: Vinzenz Hediger, Patrick Vonderau (eds.)
Amsterdam University Press, 2009 - Unthinking eurocentrism: multiculturalism and the media
Author : Ella Shohat, Robert Stam
Routledge, 2014 - La critique de cinéma en France: histoire, anthologie, dictionnaire
Authors: Michel Ciment, Jacques Zimmer (dir.)
Ramsay, 1997 - The classical Hollywood cinema
Authors: David Bordwell, Janet Staiger, Kristin Thompson
Routledge & Kegan, 1985 - Eloquent gestures the transformation of performance style in the Griffith Biograph films
Author : Roberta E. Pearson
Other author(s): American Council of Learned Societies
University of California Press, 1992 - Acting in the cinema
Author: James Naremore
University of California Press, 1988 - L’âge du rythme: cinéma, musicalité et culture du corps dans les théories françaises des années 1910-1930
Author: Laurent Guido
Editions Payot, 2007 - An archaeology of sound cinema
Author: Giusy Pisano
CNRS Éditions, 2004 - Cinema’s conversion to sound: technology and film style in France and the U.S.A
Author : Charles O’brien
Indiana university Press, 2005 - L’Écoute filmique : écho du son en image
Author: Véronique Campan
Presses universitaires de Vincennes, 1999 - L’écran post-moderne: un cinéma de l’allusion et du feu d’artifice
Author: Laurent Jullier
L’Harmattan, 1997 - Cinema and the invention of modern life
Authors: Leo Charney, Vanessa R. Schwartz (dir.)
University of California Press, 1995 - The Pencil of Nature
Author: William Henry Fox Talbot
Da Capo Press, 1969 - Surveiller et punir. Naissance de la prison
Author: Michel Foucault
Gallimard, 1975 - L’archéologie du savoir
Author: Michel Foucault
Gallimard, 1969 - Techniques du cinéma
Author: Vincent Pinel
Presses Universitaires de France, 2007 - Georges Sadoul, “Témoignages photographiques et cinématographiques”, in L’histoire et ses méthodes
Author: Charles Samaran (dir.)
Gallimard, 1961 - Economie du cinéma. Perspectives stratégiques
Author: Laurent Creton
Paris, Nathan, coll. Fac. cinéma, 1994 - The American film industry
Author: Tino Balio (ed.)
University of Wisconsin Press, 1985 - History of the kinetograph, kinetoscope a
Arno Press, 1970 - Film 1900: technology, perception, culture
Authors: Annemone Ligensa, Klaus Kreimeier (eds.)
John Libbey Publishing, 2015 - Animated photography
Author: Eugène Trutat
Gauthier-Villars, 1899 - Emile Cohl, caricature, and film
Author: Donald Crafton
Princeton Univ Press, 1992 - The Film Factory: Russian and Soviet cinema in documents 1896-1939
Edited and translated by Richard Taylor; co-edited with an introduction by Ian Christie.
Routledge & Kegan Paul, 1988 - Kino, a history of the Russian and Soviet film
Author: Jay Leyda
Macmillan, 1960 - Writings, 1922-1934. Sergei Eisenstein: selected Works – Volume 1
Author: Sergei Eisenstein
Other author: Richard Taylor
I.B.Tauris, 2010 - Towards a theory of montage. Sergei Eisenstein: selected Work Volume 2
Author: Sergei Eisenstein
Other author(s): Michael Glenny, Richard Taylor
I.B.Tauris, 2010 - Writings, 1934-1947. Sergei Eisenstein: selected Works Volume 3
Author: Sergei Eisenstein
Other author(s): Richard Taylor, William Powell
I.B.Tauris, 2010 - From Caligari to Hitler. A Psychological History of German Cinema
Author: Siegfried Kracauer
Klincksieck, 2019 [1947] - The cinema of attractions reloaded
Author: Wanda Strauven
Amsterdam University Press, 2006 - Le Voyage et la danse: Figures de ville et vues de film
Authors: Siegfried Kracauer, Philippe Despoix
Presses universitaires de Vincennes, 1996 - Hitchcock and feminist theory: the women who knew too much
Author: Tania Modleski
L’Harmattan, 2002 [1988] - Beyond recognition: representation, power, and culture
Author : Craig Owens
University of California Press, 1994 - The power of the image: essays on representation and sexuality
Author: Annette Kuhn
Routledge, 1985 - Feminism without women: culture and criticism in a “postfeminist” age
Author: Tania Modleski
Routledge, 1991 - Window shopping : cinema and the postmodern
Author: Anne Friedberg
University of California Press, 1993 - Looking for the other: feminism, film, and the imperial gaze
Author: E. Ann Kaplan
Routledge, 1997