It’s hard not to draw on the infinite wealth of classical music to further express one’s own intentions, projects or even emotions. Cinema is no exception, and a number of composers from the past have found their way into modern productions. <\/p>\n
Beethoven did not escape this fate, and his creations have been reused in many films. Stanley Kubrick’s A Clockwork Orange<\/em> is one of the most telling examples, in which the Ninth Symphony<\/em> becomes the main theme of this masterpiece and the mirror of the main character, Alex. As in this example, rarely has the Viennese composer’s music been used simply as an accompaniment. Rather, it was used to enhance and enrich the subject of a scene. <\/p>\n Other sublime examples:<\/p>\n\n