{"id":40206,"date":"2025-06-19T11:13:12","date_gmt":"2025-06-19T09:13:12","guid":{"rendered":"https:\/\/www.bcu-lausanne.ch\/history-and-aesthetics-of-cinema\/"},"modified":"2025-06-19T11:13:20","modified_gmt":"2025-06-19T09:13:20","slug":"history-and-aesthetics-of-cinema","status":"publish","type":"page","link":"https:\/\/www.bcu-lausanne.ch\/en\/history-and-aesthetics-of-cinema\/","title":{"rendered":"History and aesthetics of cinema"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">These works are available online from the Renouvaud catalog<\/p>\n\n<ul class=\"wp-block-list\"><li>The Oxford history of world cinema<br\/>Author: Geoffrey Nowell-Smith<br\/>Oxford University Press, 1996<\/li><\/ul>\n\n<ul class=\"wp-block-list\"><li>Histoire du cin\u00e9ma: 1895-1964<br\/>Author: Joseph-Marie Lo Duca<br\/>Presses Universitaires de France, collection \u201cQue sais-je?\u201d, 1964<br\/><br\/><\/li><li>Dictionnaire du cin\u00e9ma<br\/>Authors: Jean-Loup Passek (dir.); Michel Ciment, Claude-Michel Cluny, Jean-Pierre Frouard<br\/>Larousse, 2001<br\/><br\/><\/li><li>Histoire du cin\u00e9matographe de ses origines \u00e0 nos jours<br\/>Author: Georges-Michel Coissac<br\/>Cin\u00e9opse, 1925<br\/><br\/><\/li><li>Dictionnaire th\u00e9orique et critique du cin\u00e9ma<br\/>Authors: Michel Marie, Jacques Aumon<br\/>Armand Colin, 2001<br\/><br\/><\/li><li>Concepts in film theory <br\/>Author: Andrew Dudley<br\/>Oxford University Press, 1984<br\/><br\/><\/li><li>La Lucarne de L&#8217;infini: Naissance du Langage Cin\u00e9matographique Author: Noel Burch<br\/>L&#8217;Harmattan, 2007 [1991]<br\/><br\/><\/li><li>L&#8217;analyse des films <br\/>by Jacques Aumont and Michel Marie<br\/>Armand Colin, 2015<br\/><br\/><\/li><li>Film culture reader <br\/>Author: P. Adams Sitney<br\/>Cooper Square Press, 2000 [1970]<br\/><br\/><\/li><li>Narrative comprehension and film<br\/>Author : Edward Branigan<br\/>Routledge, 1992<br\/><br\/><\/li><li>Film theory: an introduction<br\/>Author: Robert Stam<br\/>Oxford, Blackwell, 2000<br\/><br\/><\/li><li>Major film theories : an introduction<br\/>Author : James Dudley Andrew<br\/>Oxford University Press, 1976<br\/><br\/><\/li><li>Cinema studies : the key concepts<br\/>Author: Susan Hayward<br\/>Routledge, 1996<br\/><br\/><\/li><li>Signatures of the visible<br\/>Author: Fredric Jameson<br\/>Routledge, 2012<br\/><br\/><\/li><li>The art of the moving picture<br\/>Author: Vachel Lindsay<br\/><br\/><\/li><li>The Macmillan Company, 1918<br\/>Author: Roger Odin<br\/>De Boeck Sup\u00e9rieur, 2000<br\/><br\/><\/li><li>The memory of Tiresias: intertextuality and film<br\/>Author: Mikhail Iampolski<br\/>University of California Press, 1998<br\/><br\/><\/li><li>Chapter \u201cCinema and the New Psychology\u201d [1945]<br\/>Author: Maurice Merleau-Pont<br\/>Gallimard, 1995 [1948]<br\/><br\/><\/li><li>Philosophie d&#8217;un art moderne: le cinema<br\/>Author: Dominique Chateau<br\/>L&#8217;Harmattan, 2013<br\/><br\/><\/li><li>Le r\u00e9cit minimal<br\/>Authors: Jean-Michel Adam, Marie-Odile Andr\u00e9, Rapha\u00ebl Baroni, Alain Boillat, et al.Presses<br\/>Sorbonne Nouvelle, 2012<br\/><br\/><\/li><li>Fiction au cinema<br\/>Author: Alain Boillat<br\/>L&#8217;Harmattan, 2013<br\/><br\/><\/li><li>Films that work industrial film and the productivity of media<br\/>Authors: Vinzenz Hediger, Patrick Vonderau (eds.)<br\/>Amsterdam University Press, 2009<br\/><br\/><\/li><li>Unthinking eurocentrism: multiculturalism and the media<br\/>Author : Ella Shohat, Robert Stam<br\/>Routledge, 2014<br\/><br\/><\/li><li>La critique de cin\u00e9ma en France: histoire, anthologie, dictionnaire<br\/>Authors: Michel Ciment, Jacques Zimmer (dir.)<br\/>Ramsay, 1997<br\/><br\/><\/li><li>The classical Hollywood cinema <br\/>Authors: David Bordwell, Janet Staiger, Kristin Thompson<br\/>Routledge &amp; Kegan, 1985<br\/><br\/><\/li><li>Eloquent gestures the transformation of performance style in the Griffith Biograph films<br\/>Author : Roberta E. Pearson<br\/>Other author(s): American Council of Learned Societies<br\/>University of California Press, 1992<br\/><br\/><\/li><li>Acting in the cinema<br\/>Author: James Naremore<br\/>University of California Press, 1988<br\/><br\/><\/li><li>L&#8217;\u00e2ge du rythme: cin\u00e9ma, musicalit\u00e9 et culture du corps dans les th\u00e9ories fran\u00e7aises des ann\u00e9es 1910-1930<br\/>Author: Laurent Guido<br\/>Editions Payot, 2007<br\/><br\/><br\/><\/li><li>An archaeology of sound cinema<br\/>Author: Giusy Pisano<br\/>CNRS \u00c9ditions, 2004<br\/><br\/><\/li><li>Cinema&#8217;s conversion to sound: technology and film style in France and the U.S.A<br\/>Author : Charles O&#8217;brien<br\/>Indiana university Press, 2005<br\/><br\/><\/li><li>L&#8217;\u00c9coute filmique : \u00e9cho du son en image<br\/>Author: V\u00e9ronique Campan<br\/>Presses universitaires de Vincennes, 1999<br\/><br\/><\/li><li>L&#8217;\u00e9cran post-moderne: un cin\u00e9ma de l&#8217;allusion et du feu d&#8217;artifice<br\/>Author: Laurent Jullier<br\/>L&#8217;Harmattan, 1997<br\/><br\/><\/li><li>Cinema and the invention of modern life<br\/>Authors: Leo Charney, Vanessa R. Schwartz (dir.)<br\/>University of California Press, 1995<br\/><br\/><\/li><li>The Pencil of Nature<br\/>Author: William Henry Fox Talbot<br\/>Da Capo Press, 1969<br\/><br\/><\/li><li>Surveiller et punir. Naissance de la prison<br\/>Author: Michel Foucault<br\/>Gallimard, 1975 <br\/><br\/><\/li><li>L&#8217;arch\u00e9ologie du savoir<br\/>Author: Michel Foucault<br\/>Gallimard, 1969<br\/><br\/><\/li><li>Techniques du cin\u00e9ma<br\/>Author: Vincent Pinel<br\/>Presses Universitaires de France, 2007<br\/><br\/><\/li><li>Georges Sadoul, \u201cT\u00e9moignages photographiques et cin\u00e9matographiques\u201d, in L&#8217;histoire et ses m\u00e9thodes<br\/>Author: Charles Samaran (dir.)<br\/>Gallimard, 1961<br\/><br\/><\/li><li>Economie du cin\u00e9ma. Perspectives strat\u00e9giques <br\/>Author: Laurent Creton<br\/>Paris, Nathan, coll. Fac. cin\u00e9ma, 1994   <br\/><br\/><\/li><li>The American film industry<br\/>Author: Tino Balio (ed.)<br\/>University of Wisconsin Press, 1985<br\/><br\/><\/li><li>History of the kinetograph, kinetoscope a<br\/>Arno Press, 1970<br\/><br\/><\/li><li>Film 1900: technology, perception, culture<br\/>Authors: Annemone Ligensa, Klaus Kreimeier (eds.)<br\/>John Libbey Publishing, 2015<br\/><br\/><\/li><li>Animated photography<br\/>Author: Eug\u00e8ne Trutat<br\/>Gauthier-Villars, 1899<br\/><br\/><\/li><li>Emile Cohl, caricature, and film<br\/>Author: Donald Crafton<br\/>Princeton Univ Press, 1992<br\/><br\/><\/li><li>The Film Factory: Russian and Soviet cinema in documents 1896-1939<br\/>Edited and translated by Richard Taylor; co-edited with an introduction by Ian Christie.<br\/>Routledge &amp; Kegan Paul, 1988<br\/><br\/><\/li><li>Kino, a history of the Russian and Soviet film<br\/>Author: Jay Leyda<br\/>Macmillan, 1960<br\/><br\/><\/li><li>Writings, 1922-1934. Sergei Eisenstein: selected Works &#8211; Volume 1<br\/>Author: Sergei Eisenstein<br\/>Other author: Richard Taylor<br\/>I.B.Tauris, 2010 <br\/><br\/><\/li><li>Towards a theory of montage. Sergei Eisenstein: selected Work Volume 2<br\/>Author: Sergei Eisenstein<br\/>Other author(s): Michael Glenny, Richard Taylor<br\/>I.B.Tauris, 2010 <br\/><br\/><\/li><li>Writings, 1934-1947. Sergei Eisenstein: selected Works Volume 3<br\/>Author: Sergei Eisenstein<br\/>Other author(s): Richard Taylor, William Powell<br\/>I.B.Tauris, 2010 <br\/><br\/><\/li><li>From Caligari to Hitler. A Psychological History of German Cinema<br\/>Author: Siegfried Kracauer<br\/>Klincksieck, 2019 [1947] <br\/><br\/><\/li><li>The cinema of attractions reloaded<br\/>Author: Wanda Strauven<br\/>Amsterdam University Press, 2006<br\/><br\/><\/li><li>Le Voyage et la danse: Figures de ville et vues de film<br\/>Authors: Siegfried Kracauer, Philippe Despoix<br\/>Presses universitaires de Vincennes, 1996<br\/><br\/><\/li><li>Hitchcock and feminist theory: the women who knew too much<br\/>Author: Tania Modleski<br\/>L&#8217;Harmattan, 2002 [1988]<br\/><br\/><\/li><li>Beyond recognition: representation, power, and culture<br\/>Author : Craig Owens<br\/>University of California Press, 1994<br\/><br\/><\/li><li>The power of the image: essays on representation and sexuality<br\/>Author: Annette Kuhn<br\/>Routledge, 1985<br\/><br\/><\/li><li>Feminism without women: culture and criticism in a \u201cpostfeminist\u201d age<br\/>Author: Tania Modleski<br\/>Routledge, 1991<br\/><br\/><\/li><li>Window shopping : cinema and the postmodern<br\/>Author: Anne Friedberg<br\/>University of California Press, 1993<br\/><br\/><\/li><li>Looking for the other: feminism, film, and the imperial gaze<br\/>Author: E. Ann Kaplan<br\/>Routledge, 1997<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>These works are available online from the Renouvaud catalog The Oxford history of world cinemaAuthor: Geoffrey Nowell-SmithOxford University Press, 1996 Histoire du cin\u00e9ma: 1895-1964Author: Joseph-Marie Lo DucaPresses Universitaires de France, collection \u201cQue sais-je?\u201d, 1964 Dictionnaire du cin\u00e9maAuthors: Jean-Loup Passek (dir.); Michel Ciment, Claude-Michel Cluny, Jean-Pierre FrouardLarousse, 2001 Histoire du cin\u00e9matographe de ses origines \u00e0 nos [&hellip;]<\/p>\n","protected":false},"author":120,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"_oasis_task_priority":"","footnotes":""},"coauthors":[1316],"class_list":["post-40206","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>History and aesthetics of cinema - BCUL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bcu-lausanne.ch\/en\/history-and-aesthetics-of-cinema\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"History and aesthetics of cinema - BCUL\" \/>\n<meta property=\"og:description\" content=\"These works are available online from the Renouvaud catalog The Oxford history of world cinemaAuthor: Geoffrey Nowell-SmithOxford University Press, 1996 Histoire du cin\u00e9ma: 1895-1964Author: Joseph-Marie Lo DucaPresses Universitaires de France, collection \u201cQue sais-je?\u201d, 1964 Dictionnaire du cin\u00e9maAuthors: Jean-Loup Passek (dir.); 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